Literary texts are works of art with multiple meanings that reviewers are trying to solve in many different ways. Authors/poets who have a cultural surroundings which have been reached and for having spirit riches which they shaped with this environment so in that way they inscribe into their texts many special and common hidden meanings, with intention to transfer them to the future generations. After discovering inner meanings in poetry, it becomes deeper, representing embodiment of artist’s knowledge and wealth of spirit through the meaning of the language. The main aim of literary reviewers should be observing the text from the author’s aspect. The poet that is “Ateş” rhyme ghazal, which was written by Şeyh Gâlip who is most important poets of Sebk-i Hindî’s style, has been commented according to method of “Düşünce Alanı Merkezli” (DAM) improved by Ziya Avşar in this article. Şeyh Gâlip, who is one of the most imortant poets of Sebk-i Hindî’s style specified his metaphysic poems with an abstract word order. The element of fire takes very important place in his world of art and sense. The element of fire in Gâlip’s poetry indicates a wide range of existing and non-existing meanings which originate from two different worlds and get united in imagination. Method of text analysis “Düşünce Alanı Merkezli” reminds of the traditional explanation methods. However, by establishing the order between meanings in text, this method separates from the traditional one. To find out of thought field is very important in comment. Because the art is being connected between the things that exist and those that should exist with symbols. In this method of text analyzing, the highest significance have main thinking domain, assistant thinking domain and combined thinking domain. The aim of this method is to make subtle and deep meanings accessible in poet.
Fire, Sheikh Gâlip, Sufism, Poet of Dîvân, Comment